

Use a loupe to nail focus on the ground glass.Compose, maybe using some of the movements – I did a lot of rise & fall and had an attempt at the Scheimpflug principle (google it, I can’t even pronounce it, so I’m sure my explanation will be rubbish).With something over your head to keep the light out (I used a dark jacket) get focus close to correct.The ground glass back onto the camera, and make sure it’s locked.It’s really hard to compose & focus at f/22! Put the lens & lens board into place, and make sure it’s locked.Pull the bellows out to the appropriate length for the lens you’re using, and lock them into place.Use a bubble level app on your phone to make sure the base of the camera is level.


While the camera is made of plastic, its owner keeps it, along with two lenses, and associated some odds & ends in a Pelican case. When I was offered the use of a Toyo 5×4 with a 120 format film back that shot 6x9cm frames over the Easter break, I jumped at the opportunity!Īfter a lesson in setting the camera up, focusing and making an exposure, I carted what seemed like 100kgs of gear home with me on the bus. I was sure they were all going to look this good. My adventures somewhere in-between medium & large formats on 120 format Kodak Gold 200 - EMULSIVE Close Search for:
